Monday, February 08, 2010

Juliet to return to Michigan Ave? Montgomery Ward balconies are back.

Courtesy of our indefatigable correspondent Bob Johnson, the condo rehab of Schmidt, Garden's 1898 former Montgomery Ward building at 6 North Michigan appears to be nearing the end of its long restoration. In May of 2008, the top was still a long way from finished.
Now, the tracery and ornament have been restored along the windows, and the loggia has regrown its balconies.
It's a very handsome reconstruction, but we're still a long way from the original loopy yet majestic crown. Now the preface has become the entire book. Still, I suppose a handsome crew cut has its own charms.

The Quiet War: Architecture and Digital, plus the Marquettes Tiffany mosaics - 2 more February events

Yeah, I know we were just here yesterday, but now we've got two more great events added to the February calendar:

The iSpace Gallery on Franklin is dead (moment of silence), so the Chicago Architectural Club is moving it's Tuesday, February 23rd event, Tristan d’Estree Sterk and Douglas Pancoast - The Quiet War: Architecture and Digital Technologies, to the Flatiron Building at Milwaukee, Damen and North. "Long ago a quiet war sent the deepest core of western beliefs into battle with the natural world." Has a sort of Lord of the Rings ring to it, no? Will there be droids? Reception at 6:00 p.m, program at 6:30.

Two nights later -Thursday, February 25th, 6:00 p.m., reception, 7:00 p.m, program, at the historic Second Presbyterian Church on south Michigan, art historian Ruth D. Nelson will lecture on Money Was No Object: The Tiffany Mosaics of Chicago's Marquette Building, mosaics which depict the story of 17th century French missionary explorer Pere Marquette in the lobby of the classic Holabird and Roche building named after him.

Check out the over fifty great events on the February calendar here.

One more event which doesn't fit on the calendar, but is important nonetheless, this Thursday, February 11th, the U of C's Arnold Randall and 5th ward Alderman Leslie Hairston has set up a community meeting to present possible design features and sites for an expansion of the university's Laboratory Schools. 6:30 p.m., in the Laboratory Schools' Large Group Room, 126 Judd Hall, entrance through double doors on Kimbark, just north of 59th street.

Sunday, February 07, 2010

Frank Lloyd Wright still dead, Marian and Leon Depres Preservation Awards, casting plaster and Steven D. Fifield - additions to the February calendar.

Four great additions to the February calendar of Chicago architectural events:

On the evening of Thursday, February 18th, noted scholar Anthony Alofsin will lecture on Frank Lloyd Wright: A Golden Anniversary, in one of the architect's greatest masterworks, Unity Temple in Oak Park. Saturday morning, February 20th, the Great Lakes Chapter of the Association for Preservation Technology will be offering a Hands-on Plaster Workshop. On Saturday night, February 27th, the Hyde Park Historical Society will be presenting its 2010 Marian and Leon Depres Preservation Awards at its annual dinner, And on Tuesday morning, February 23rd, Crain's Chicago Business will be offering a forum with Steven D. Fifield, one of Chicago's most successful developers and serial creator of mediocre architecture on a large scale.

There are over a dozen events just this week. Check out the very full February calendar here.

A construction for a construction: Design a house for Lady Gaga

Inspired by the intricate structure worn by the singer to last week's Grammy Awards, Evanston's ICARCH Gallery has just announced a competition, A House for Lady Gaga . . .
The more she hides, the more she exposes. And vice versa.
We reflected on the strange dialectics between hiding / exposing, as illustrated by Lady Gaga. Quite often she seems to want to hide away... her hair, her masks, her veilings betray a very high interest in hiding, in concealing...

Even her use of umbrellas, when outside it is sunny...!?

And the fact that quite often she hides her face behind her hand, when photographed (as if she is guilty of something, almost like Adam in the famous painting by Masaccio "Adam and Eve banished from Paradise"), does show the same thing... and the meaning of her video Paparazzi seems to be the same: an intense. almost neurotic questioning of the violation of privacy that contemporary life seems to be unable to avoid.
The competition joins a roster of similar imaginings of houses for everyone from Chopin, Eric Rohmer and the Egyptian God Anubis. The entry fee is 50 bucks, 25 for students . . .
payable by PayPal to admin@icarch.net. We will display all the works received on our website: www.icarch.net. We will display all the works received on our website: www.icarch.net. We will also forward them to Lady Gaga, for her consideration.
From this point on, you're on your own.

Saturday, February 06, 2010

Animating Architecture: Burnham Pavilions by Spirit of Space


It begins with a single, small boy running through the scoops of the Ben van Berkel/UNStudio pavilion that stood in Millennium Park last year, and ends with a time sequence of the Hadid Pavilion at night, transformed by Tracy Dear's lighting. The movement of human form through structure illuminates in a way no still photo can.

At yesterday's formal opening of Studio/Gangs Columbia College Media Production Center, I had a chance to meet Red Mike of Spirit of Space, a multimedia company consulting company that makes films about architecture. “We both saw how the camera can capture and convey the emotions involved in spaces,” partner Adam Goss told the Architectural Record.

Peter Zumthor's Baths at Vals, Switzerland, one of the most admired structures of the last century, is usually depicted as at the Galinsky website here, carefully composed shots, devoid of humanity. Spirit of Space's video, on the other hand, actually gives you a feel for how Zumthor's work is actually experienced, complete with people, even those not so fashion-model-perfect as their surroundings. With watery handprints, they leave their mark, however fleetingly, on Zumthor's stone. It concludes with a lovely shot of Zumthor's masterwork, in it's verdant natural surroundings, being enjoyed by a solitary women of a certain age, her face, in a frilly pink bathing cap, floating serenely above the waterline.

Spirit of Space's videos, many of which you can see here, help point to a new way of understanding architecture. Avatar, schmatatar, this is a form that cries out for 3-D.

Thursday, February 04, 2010

Twirling Rotini and Green Indulgences meet in a River North self park

In the old days you could buy an indulgence for your sins. Not much has changed. Today the accepted currency for indulgences is still green - just not as in cash, but as in sustainability. Green is to architecture as "low-fat" is to junk food, a label too often used to divert attention away from the usual trespasses.

You can't get much greener than the new parking garage at Kinzie and Clark. The Greenway Self Park proclaims its virtue in its very name. The design actually includes "educational plaques" scattered through the garage to enlighten its users on "how to live green."

Read all about it - and see all the pictures - here.

Wednesday, February 03, 2010

At the Calatrava Spire, the hole just keeps getting deeper. Remembering the dream.

photograph: Bob Johnson
Both Crain's Chicago Business and the Tribune are reporting that Clarinabbey Ltd, one of an interlocking group of companies controlled by Irish developer Garrett Kelleher, is declaring as a loss its $135,000,000 investment in Shelbourne North Water Street LP, the company behind the Santiago Calatrava designed Chicago Spire. "There exists a fundamental uncertainty over the company's ability to meet its obligations . . . ," Clarinabbey is reported as stating in is annual report. More from the Irish Times here.

The phrase "down the Spire hole" now officially enters the Chicago lexicon. As in: "Contemplating his third place finish in the Republican primary for governor, Andrew McKenna couldn't shake the vision, passing in front of his eyes in an unending loop, of 4,000,000 dollar bills floating lazily, yet irretrievably, down the Spire hole."

At some point in the not distant future, I hope to consolidate my writings about the extraordinary story of Spire, including a catalogue of images. For now, however, let's just turn back the clock to a happier time, from a photoessay here.
And back even further, before a spade of earth was turned, to when the Spire was still Santiago Calatrava's perfect, pure poetic vision.

Tuesday, February 02, 2010

Chicago Streetscene: Angel with blue ribbon

Monday, February 01, 2010

Love is in the Air - plus Pond, Fresh, SOS and Carla Bruni, and more : 40+ events on the February Architectural Calendar

Making buildings is easy; relationships are hard. The Chicago Architecture Foundation leads off the February Calendar of Architectural Events in an amorous kind of mood with a Tuesday night panel, For Better or Worse: Architects In Love, including Stanley Tigerman and Margaret McCurry, Martin Felsen and Sarah Dunn, and Joe Valerio and Linda Searl. And speaking of relationships, Paul Fitzpatrick and Joey Carr from Joseph Freed will talk about the Good News About Block 37 for Friends of Downtown on Thursday.

IIT kicks off a great lecture series with Rick Valicenti on the 10th, and Franz Schulze and Edward Windhorst giving a preview of their revised and expanded book on Mies van der Rohe on 24th. Gunny Harboe talks about the restoration of Louis Sullivan's Carson Pirie Scott ornament at AIA Chicago on the 11th, and Edward Barber and Jay Osgerby talk about Work in Progress for the Architecture and Design Society at the Art Institute on the 8th.

Authors abound: those of both Chicago 1890: The Skyscraper and the Modern City, and The Skyscraper and the City: The Woolworth Building, are at a lunchtime lecture on the 10th at CAF, where the next evening on the 11th, Dominic Pacyga discusses his Chicago: A Biography. The Autobiography of Irving K. Pond is expounded on by its coauthors: Terry Tatum at the Cultural Center for Landmarks Illinois the 18th, and by David Swan at the Glessner House Museum on the 24th. Joseph Schwieterman and Alan Mammoser discuss their book, Beyond Burnham, at APA Chicago on the 23rd.

Plus Vince Michael talks about Community Activism and the the Rise of Historic Districts at another CAF lunchtime talk on the 17th, where the next Wednesday, the 24th, Preservation Chicago's Jonathan Fine will expand on his organization's - by then -just released 2010 edition of the Seven Most Endangered places. Also on the preservation front, Carla Bruni (no, not that Carla Bruni - it's the noted green historic preservation consultant) will talk about her field at the Chicago Center for Green Technology on the 16th.

Did you notice we didn't even get around to all the great items mentioned in the headline of this post? There are over 40 events waiting to be your valentine this February. Check them all out here.

Sunday, January 31, 2010

from new Paradigm to old-style Monopolist - Amazon yanks all MacMillan books

The world's bookstore has become Jeff Bezos' playhouse. Amazon has pulled all the titles from MacMillan, one of the world's largest publishers, from its on-line store, for both print and electronic editions.

Amazon.com started out selling books, and has become wildly successful. Not long ago, there were at least six major bookstores in and around Water Tower Place. Now there is one, the huge Borders on Michigan. Independent booksellers have been decimated. Just last year saw the closure of both the Prairie Avenue Bookshop and Powell's on Wabash. Book-selling is dominated by two major chains - Borders and Barnes & Noble, both so iffy profit-wise that a merger between the two has long been rumored.

Electronic books are the coming thing, and Amazon's Kindle has had a 60% market share.

Last week, Apple announced its iPad device, which, at price points not that far above the Kindle, offer not only books, but browsing, mail and access to 100,000+ iPhone apps. It has also struck deals with major publishers, including MacMillan, with more flexible price points than those offered by Amazon.

Amazon responded by yanking all of MacMillan's titles from Amazon.com. In a span of a few short years, it's gone from being the scrappy underdog, the bookbuyer's best friend, to a bullying monopolist on the model of Microsoft.

And if you have any doubts about the monopolist part, check out this post by author Charles Stross. Amazon is no longer content to sell publisher's books. It now demands that publishers wanted to offer Kindle editions must sign over their most basic rights and make Amazon the publisher of the electronic edition.

To customers, Amazon wants to be the only store in town; to publishers, they want to be the sole customer to sell to. As Stross explains, Amazon's business model collapses the supply chain, but they still want to double dip and get paid for the parts of the chain they've made unnecessary. The bricks and mortar supply chain:

author -> publisher -> wholesaler -> bookstore -> consumer.

has been collapsed to:

author -> publisher -> fixed-price distributor -> reader.

Amazon charges publishers as if the change never occured - 70%. Apple, recognizing the new business model, is asking only 30%.

After the iPad announced, Amazon dropped its demand to 30%, providing the publisher meet the draconian demands reported by Stross:
you have to agree that Amazon is a publisher, license your rights to Amazon to publish through the Kindle platform, guarantee that you will not allow other ebook editions to sell for less than the Kindle price, and let Amazon set that price, with a ceiling of $9.99. In other words, Amazon chooses how much to pay you, while using your books to undercut any possible rivals (including the paper editions you still sell). It shouldn't surprise anyone that the major publishers don't think very highly of this offer ..
Another report, from the Los Angeles Times, here.

Monday morning postscript
The first skirmish is over, and Amazon blinked. It's agreed to variable pricing for MacMillan titles - which in this case means higher e-book prices from $12.99 to $14.99 - and restored them to their store.

Friday, January 29, 2010

PechaKucha Chicago Global Day for Haiti event February 20


On Saturday, February 20th the Chicago outpost of PechaKucha, which showcases architects, designers and other artists making presentations using 20 slides projected 20 seconds each, will take part in a PechaKucha Global Day for Haiti, a continuous 24 hours of presentations beginning in Tokyo and moving eastward.
Crossing all times zones and cultures, the event will be streamed live online and then finish in Tokyo the following day. Here in Chicago, and around the world, presentations are being prepared - some are intended to offer hope and encouragement through stories of past disaster relief projects, while others offer simple inspiration by showing the power of great creative thinking. Some amazing people have stepped up to the challenge so prepared to be surprised.
Chicago PechaKucha organizer Peter Exley says invitations have gone out for what promises to be an outstanding roster of local presenters, who will be part of 2,000 presenters worldwide.

All the day's proceeds will go to the Haiti rebuilding efforts of Architecture for Humanity, which was also instrumental in getting rebuilding up quickly after Hurricane Katrina and the 2004 Indian Ocean Tsunami.

The February 20th Chicago event will be at PechaKucha's usual stomping ground, Martyrs' at 3855 N. Lincoln. Because the event takes place in the afternoon, at 2:00 p.m., it's a rare all-ages PechaKucha, an opportunity for those too young to get into bars and too honest to fake an I.D. to take in one of these always fun, informative and engaging events. Call 800-594-8499 for tickets.

Wednesday, January 27, 2010

Scaffold Salvation - GSA takes beast to beauty at 1915 Century Building on State

Earlier this week, we wrote about the winning design from New York City's urbanShed competition to come up with alternatives to the often unsightly protective scaffolding that crowd sidewalks around construction sites. We've already heard from a local scaffolding company expressing skepticism that - New York City's claims notwithstanding - the winning design could be executed for anywhere near what the company says is an industry standard of about $150.00 per linear foot for the type of scaffolding currently in use.

Now Jim Peters of Landmarks Illinois has reminded me about a remarkable beast-to-beauty story of bad scaffolding gone good.
In the fall of 2008, in a piece titled Uncle Sam: State Street Slumlord, I wrote about a truly despicable scaffolding job done on a federal government-owned building: Holabird & Roche's 1916 Century Building, at 202 South State Street, which at street level had been transformed into a dark, dank tomb sided with raw plywood in derelict applique.

Flash forward to last summer, and the situation had changed entirely.
Instead of the usual pipe-frame tunnel, the sleek, curving steel canopy protecting pedestrians from the crumbling terra cotta above is actually cantilevered from columns set close to the building. Set at a two-story height, it becomes almost invisible, leaving both daylight and free pedestrian movement unobstructed, and giving a clear view of the repaired and polished metal window frames of the elegant 1951 Art Moderne remodeling of the Century's entry floor.
Not quite so invisible are the intense graphic coverings, which actually reflect patterns in the original 1915 neo-Manueline Portuguese Gothic-styled terra cotta ornament climbing up the original, thin tower above.

The quality of the scaffolding's design is especially important, because the up-in-the-air status of the building may keep it in place for quite some time. It's part of the 1.3 acre parcel just east of the Mies van der Rohe Dirksen Federal Building that includes everything else on the block except for the buildings housing the Berghoff Restaurant. The structures were acquired in 2005 for what is called the Chicago Federal Center Expansion Site, actually a post 9-11 cordon sanitaire for the existing federal properties. In a report you can download here courtesy Chicago Carless's Mike Doyle, the General Services Administration executed an ambitious survey of possible uses for the parcel that range all the way from . . .
. . . an infill tower between the Century and Mundie and Jensen's 1913 Consumers Building to the South . . .

. . . to one demolishing everything on the parcel for a single megatower (which in this rendering, still seems to have the Century clinging to its side like a barnacle.)

Recently, the GSA has commissioned exhaustive Building Preservation Plans, done under the direction of Johnson•Lasky Architects, for both the Century and the Consumers, as well as for 230 S. State Street. Long overshadowed by its use as a McDonald's, 230 S. State is actually a structure designed by Alfred S. Alschuler for clothier Benson Rixson in what was, for 1937 State Street, a daring Art Moderne style, with a streamlined curving facade and seamless bands of glass block window that at night set the building aglow, as you can see in this Hedrich Blessing photo from the Chicago History Museum.

It's one of a generous number of illustrations that document each of the reports. You can see Benson Rixson's striking interiors and elegant, now hidden stair, just as in the Century report, you can get a feel both for both Holabird & Roche's original 1915 design, and the equally excellent 1951 remodeling. It's a reminder of what wonders can lie behind the dark, crumbling profiles of trophy buildings of times past, which we often walk past never taking the time to see.

Beat Bob Stern: Architecture for Humanity/Chicago street furniture competition

OK, those ubiquitous bus shelters designed by architect Robert Stern may not be the worst thing in the world, although their thick limbs and heavy lids seem a long way from Parisian grace, much less good Chicago design. Now the Chicago Chapter of Architecture for Humanity is holding what promises to be a bit more democratic Street Furniture Competition for the design of "one or more pieces of 'street furniture' that can be easily distributed to vacant sites and parks throughout the city for two months during the summer."
The fabric of any city has pockets of underutilized and neglected spaces. These vacant pieces of the city are often intended for development at some point in the future but currently sit empty and unused. Left unattended, they can become dangerous and unwelcoming areas along the streetscape. Through small acts of community we can repurpose these empty spaces and imagine for ourselves a better streetscape.
The rules are pretty simple: two 11 x 17 boards as PDF's, with "with at a minimum a plan, section/elevation and design detail. Please list the required materials and provide a narrative that describes the following: build process, materials, estimated cost, and end of use/deconstruction plan. Scale of drawings at the discretion of the entrants."

As far as I can tell, you don't even have to figure out where the advertising will go, or come up with prospects for the leasing.

Deadline is 5:00 p.m., February 26th, with the winners to be announced at AFH Chgicago's March meeting. and a series of "Saturday Build Days" in April and May to infiltrate the winning entries into the city's parks.

Questions and final PDFs to submitted via email. You can view the brief as an on-line pdf.

Tuesday, January 26, 2010

Is this the best joke in Chicago architecture?

By all accounts, engineer and architect William Lebaron Jenney was an engaging raconteur. Whether his design of the Manhattan Building, on Dearborn just north of Congress, was a simple matter of casual practicality or an intentional - if private - jest, we'll never know. Still, the fact that for what was, at its completion, the tallest building in the world, Jenney gave his steel framed structure an impression of solidity through brick and rough-cut stone, only to give the game away at entry level, with razor thin facades of metal and glass, never fails to make me smile.

Jenney may not have been a truly great architect - Louis Sullivan, among others, didn't consider him an architect at all - but he was one of the seminal figures in the flowering of Chicago architecture, and one of the city's great characters, to boot.

Read the profile I did of Jenney a few years ago, at the time of the unveiling of a memorial at Graceland Cemetery - along with plenty of pictures - here.

Monday, January 25, 2010

Scaffolds slum up Chicago streets: has NYC found a better way?

At times during the past decade, especially after falling terra cotta led the city to make building owners step up facade inspections and repair, it seemed as if half the sidewalks in downtown Chicago were covered in ugly scaffolding, forcing pedestrians through dark cages of metal bracing topped off by cheaply painted plywood.
Because they're often in place for years at a time, many become derelict presences, with flapping plastic and cracked, peeling paint. As necessary as they may be, scaffolds slum up streetscapes and cheapen the experience of the city, often in a way not even a crumbling building can match.

"Walking on the sidewalk shouldn't be an ominous adventure, but it is." Those were the words of New York City Planning Comissioner Amanda Burden at a press conference this past Thursday unveiling the winner of the urbanShed international design competition "to conceptualize a cutting-edge sidewalk shed to protect pedestrians, improve the pedestrian experience– and make New York City even more attractive for generations to come."

Sidewalk sheds are what we just call scaffolding. There are more than 6,000 of them in New York City, spanning in excess of a million linear feet. On one prominent street, 30% of the sidewalks were covered.

The competition received 164 submissions from 28 countries. The blue ribbon jury included not only Burden, but also NYC Buildings Commissioners Robert D. LiMandri and architects David Childs, Ada Tolla, Jean Oei and Craig Dykers, among others. Brief requirements included the ability to support a minimum of 300 pounds per square foot, sustainable materials, graffiti-resistant, and economical in both installation and maintenance. You can see all three finalist entries here.

The winning entry in the competition came from Young-Hwan Choi, a 28 year old student from the University of Pennsylvania School of Design, who received $10,000. At Thursday's press conference, New York mayor Michael Bloomberg claimed that the cost for installing Choi's design will be no more than that for current sheds, with maintenance costs actually being lower. The use of the design will not be mandated, but Bloomberg expected it would be adopted because of the advantage to store owners. Currently, "When a shed goes up on the sidewalk, it hurts their business." Choi's design not only is a major improvement aesthetically, but it eliminates the gloom of current sheds by bringing in much more light, and makes navigating around the scaffolding much less onerous. "No cross members to block you," said Bloomberg.
The Alliance for Downtown New York will bankroll the installation of a full-scale prototype at a landmarked 1846 building at 280 Broadway in lower Manhattan that was originally the "Marble Palace", the A.T. Stewart store often cited as the first department store in the United States. Later the structure became the home to both the New York Sun and A.T. Stewart department store.construction site in Lower Manhattan. Currently, the building is city-owned, housing the Buildings Department.Back in Chicago, with the winding up of the last great construction boom, our own supply of sidewalk sheds appears, thankfully, to be in decline. A good time to take a long, hard look at Chicago's ugly scaffolds, and at the urbanShed competition. Will Choi's design work as advertised, at the promised cost? Let's call on Chicago's own architects and designers to come up with alternatives that can avoid turning the city's streets into dark, dispiriting dungeons the next time construction revives.

Sunday, January 24, 2010

If Frank Gehry designed a stone house . . .

house in Portugal, courtesy Jsome1 on Flickr.

Friday, January 22, 2010

Konstantin Grcic at the Art Institute- a great show you shouldn't miss, through Sunday


More on the Art Institutes's first-rate exhibition Konstantin Grcic: Decisive Design, in the first floor Gallery 184 of the new Modern Wing, which you have only through Sunday, January 24th to see. (Also the closing day for Caravaggio's The Supper at Emmaus.)

The Munich-based designer has made a career out of synthesizing the minimalism of modern design with a distinctive expressive sensibility through the use of color, form and material. His work is a bit more restrained than that of Ettore Sottsass, a key influence, but it also brings wit - and a bit of panache - to utilitarian objects, including a coat hanger with its own brush. As noted by curator Zoë Ryan in her excellent catalogue, Grcic's wine rack seems an updating of a Duchamp readymade, as well as "a tongue-in-check response to the emphasis on recycling . . ." Wanda's (that's the racks name) vertical design is actually more functional than horizontal racks that wind up being a collection of "precarious stacks"

An artist most at home with drawing - although he's more recently come to computer design - his work, everything from pens to pottery, with the usual chairs and tables in between, is both visually bold and every-day serviceable.

Works like the cement base Chair One , with its uncushioned wireframe, are surprisingly comfortable, as is Grcic's Miura barstool, which at first glance looks like the kind of perch you'd find in a sadistic doctor's office, but, in use, provides an entirely agreeable support.

I can say this because one of the great things about the show is that Ryan has arranged Grcic's work all around a central seating area in which visitors are actually encouraged to try out Grcic's designs for themselves, including his 360° chair, a colorful stool-chair hybrid that, again, looks a bit precarious but is actually quite stable and very suitable for people whose requires them to move around both through and around their workspace.

The "central zone" area "reflects Grcic’s long-standing interest in Formula 1 racing" and its perimeter is formed by a continuous row of seats consisting of two tires topped by a wooden platform. When you sit on one, it has the same slight give as a cushy chair.

Ryan's catalogue, part of the low cost series published by the Yale University Press, is actually the first one that doesn't come off feeling cheap. Her essay is excellent and extended, and the illustrations are not shifted to the back of the book, but integrated with the text

If you haven't seen it, do try to catch this show before it closes this Sunday.

Grcic's interview with Interview. More photos of his work, and a monograph on KGID. And a podcast of Grcic discussing his work. Grcic on YouTube fielding frequently inane questions with intelligent answers.

Another interview, minus the hyperactive wrapper, here.

Thursday, January 21, 2010

Great Show: Konstantin Grcic at AIC - you've got til Sunday

I really have to get out more.

Stopping by the Art Institute to check out Caravaggio's The Supper at Emmaus, which goes back to the National Gallery in London after Sunday, the 24th, I came upon an absolutely first-rate exhibition Konstantin Grcic: Decisive Design, in the first floor Gallery 184 of the new Modern Wing. Hopefully, you've already seen it, but if you haven't, you should. It also closes after this Sunday, January 24th. I'll be writing more tomorrow, but I'm posting this reminder in case you can make it to the Art Institute today, when the museum's open until 8 p.m., with free admission after 5:00. (The excellent catalog is worth picking up, too.)

Streetscene: Leaning Towers of Chicago

Wednesday, January 20, 2010

Wierzbowski at RDI Pecha tonight, Damon Rich at the Graham on the 25th

Two late listings:

Tonight, January 20th, architect Stephen Wierzbowski will making a presentation, Bikers, Bubbles and Bigs Rigs, at a special Pecha Kucha Night presentation sponsored by the Retail Design Institute Chicago Chapter at English Bar, 444 North LaSalle, beginning at 7:30 p.m.. Each presentation must be made with 20 images shown for 20 seconds each. The bad news is it's $30.00 for members, $40.00 for non-members. The good news is the charges include "heavy appetizers" and two drinks. RSVP via email or at 312/664.5388 or 616/617.1399.

Then next Monday, January 25th, there will be a talk at the Graham Foundation by Damon
Rich, founder and chair of Brooklyn-based CUP, the Center for Urban Pedagogy, which brings together artists, graphic designers, architects and urban planners with community-based advocates and researchers to create educational projects "about places and how they change" The lecture is at 6:00 p.m., at the Graham's home, Madlener House, 4 West Burton Place. You can also take in the Graham's current exhibition, ACTIONS: What You Can do With the City, before the talk. RSVP via email.

Monday, January 18, 2010

Chicago has Two of Five World's Tallest for 2009, 8 in top 50 most of any city

The Chicago-based Council on Tall Buildings and Urban Habitat releaed on Monday its annual survey of skyscraper construction. Three of the five tallest new buildings were in the U.S., with 2009's world's tallest being the SOM/Adrian Smith Trump International Hotel and Tower, at 1389 feet. Second is New York's Bank of American Tower, at 1189 feet, third, Beijing's China World Trade Center III, at 1083, fourth, Arraya Center Office Tower in Kuwait City (984), and fifth, Studio/Gang's Aqua, at 858 feet. Five of the top ten were in China, two in the Middle East, none in Europe. The only two using steel construction were by SOM.

While more than half of the buildings on the list of 2009's 50 tallest were in Asia, Chicago's 8 buildings were the most of any city in the world. Bangkok had 5, Shanghai 4, New York 3. Pickard Chilton's 300 North LaSalle came in at number 12, (785 feet), Papageorge Haymes' One Museum Park (18th/726 feet) Lucien Lagrange's Elysian, (31, 686 feet), Goettsch Partners 155 North Wacker (45, 638 feet), and Lohan Anderson's 353 North Clark (48, 624 feet.)

Make up your own discussion on the questions of quantity and quality.

Overall, there were 38 buildings completed in 2009 with a height of 200 meters (656 feet) or over, down from 53 in 2008. In 2000, there were 267 structures over 200m, by the end of 2010, 643. Over 250 are in the pipeline for the next three years, with over a hundred to be completed in 2010 alone. After that, we'll see. My bet is that the Burj Khalifa's record of 2717 feet will be safe for a while.

More information here.

Sunday, January 17, 2010

Sunday reading: Moscow's 35,000 strays have got your number; plus: Hawthorne's Gang

There's a fascinating portrait in this weekend's Financial Times (registration required) by Susanne Sternthal on the estimated 35,000 strays that have the run of dog-loving Moscow, where neutering is considered an atrocity, and there's even a website devoted to the strays. An elite subgroup of about 20 are reported to have learned to ride the subways. using them to commute from the suburbs to the city in search of food, which they've become especially skilled at wangling from residents. Sternthal quotes animal behaviorist Andrei Neuronov:
They orient themselves in a number of ways. They figure out where they are by smell, by recognising the name of the station from the recorded announcer’s voice and by time intervals. If, for example, you come every Monday and feed a dog, that dog will know when it’s Monday and the hour to expect you, based on their sense of time intervals from their biological clocks.
The strays are considered beyond domestication, and scientists are speculating that, over time, they are reverting to a more wild, wolf-like state. Even so, they've developed a way to co-exist with the city's two-legged inhabitants and their environment. Read Sternthal's intriguing story, complete with striking photographs, here. For more, here are articles from the Wall Street Journal, and the website English Russia.


Elsewhere in the FT, Andrew Clark has lunch with period instrument conductor and gentleman farmer John Eliot Gardiner.

Also this weekend, Los Angeles Times architecture critic Christopher Hawthorne has a rather meandering article on Jeanne Gang, Aqua, women in architecture, Viagra, testosterone, and Bob Stern on why there are fewer women architects because they get distracted by having children. It's a tricky topic, but I have to be honest with you: I think my piece from four years ago, Designing Women, is a bit more focused than Hawthorne's.

Feminine/masculine in architecture is certainly a valid, important - and fascinating - topic, but, at least in this case, I come down on the side of Stanley Tigerman's way of looking at it: "Jeanne Gang is a god-damn good architect. Period."

Wednesday, January 13, 2010

Cranes (No) Chicago Business

It all started out so bright and innocent, nearly four years ago, as the huge, fire engine red crane was constructed above the concrete core, a bright, wireframe cherub reaching high to full extension as it began to raise the Waterview Tower two and a half city blocks into Chicago's skyline, creating a new Shangri-La (the tower's hotel client), promising a place of grace and beauty.
Chicago architecture and engineering firm Teng & Associates had decided to jump start the project with its own money. Like Garrett Kelleher and Shelbourne Development's Calatrava Spire, they took the rare and risky step of starting construction without having financing in place. Two years later, in mid-2008, the giant crane was arrested in its ascent at the 25th floor as the project, itself, staggered into the 25th hour. The money had run dry. Construction ground to a halt.
photograph: Bob Johnson
And there the great crane has remained stranded above three stories of rust-strained core, topped with a crewcut of exposed reinforcing rods like rows of pigeon spikes.
Until now. Marina City News has an excellent article on the deconstruction of the mighty Waterview crane, done by the erection of another, smaller crane. Early in 2009, the Circuit Court had declared the Waterview an abandoned property, after hopes of a $340 million cash infusion and takeover by a Chinese corporation fell through the year before. Central Crane Rental Service and Adjustable Forms, who both hold liens against the property, agreed to spend a reported $800,000 to dismantle the crane.

The Chicago Sun-Times' David Roeder is reporting that the building has a negative $15,000,000 net worth. It's now our own Lost Horizon, one of the two great memorials to Chicago's ought decade housing bubble. The Spire, concave, is a hole in the ground. Waterview, convex, is a 25-story concrete shell, a tombstone for the death of developer exuberance, irrational and otherwise.

For better or worse, it's one of the most distinctive structures in the city. What now? What should we do with it? Leave it rot, as a warning? Turn it into a parking garage? Aviary? Municipal mausoleum? Have Tracey Dear create a night time lighting scheme for it? Use it to mount the world's largest video screen from which Mayor Daley can make his pronouncements to the city? An eco casino? A childrens museum? Maybe we should have a competition.

What's your idea?

Tuesday, January 12, 2010

Chilly nightscenes of winter

Louis Sullivan restored to splendor.
Louis Sullivan stripped and forlorn. All this could be yours.
The originally proposed digital art for Block 37 was value engineered out years ago. Now the only animation of the weave metal facade comes from the other side of the street.
Joseph Freed (or John Buck) should be paying royalties to the Ford Oriental
taking on ice . . .


. . . and a kiss goodnight:

Sunday, January 10, 2010

Cracking the QR Code: Reading a Building with your iPhone

A new Tokyo building lets you read the thoughts of its inhabitants from its facade. Its innovative, cool, and a little frightening, all at the same time. Read - and see the photos and movies - about how Teradadesign Architects and Qosmo Inc. are infusing structure with social media and merging architecture with technology in ways Mies could never have imagined, here.

Thursday, January 07, 2010

Night EnV

Think the Burj Khalifa is Something? You haven't seen the Starbucks!

In the Ibn Battuta Mall. Photo courtesy Jon Rawlinson. http://www.flickr.com/photos/london/CC BY 2.0 /

Wednesday, January 06, 2010

Great Moments in Preservation

Burnham & Root's 1891 Luzon Building in Tacoma followed the usual trajectory. It was allowed to rot until the powers-that-be shed crocodile tears and said they then had no choice but to demolish it. Last month, in a perfect, ironic addition to the Burnham Plan Centennial Year, the city's Logical Diagram Gallery commemorating the event by putting up a Make No Little Plans show featuring the work of 18 local artists, including the piece pictured here, by Lynn DiNino, Burnham & Root Uprooted. You can see a Flickr set of photo's of some of the other work in the show, which benefited Historic Tacoma, here.

DiNino's work got me to thinking. What if the opposite end of her Luzon miniature was - not the anchor she created - but a metal ring? Could it lead to a new horizon for preservation in Chicago? Much as a developer can now acquire a city indulgence from having to include affordable housing in their megatowers by dumping cash into a city fund, we could have an ordinance that would allow them to demolish potential landmarks by paying into a program that would make tsotchkes out of the destroyed structures. Germania Club keychains, anyone? A Kaplan Pavilion snow globe?

Tuesday, January 05, 2010

Chicago Streetscene: Second City Winter

Sunday, January 03, 2010

Malcolm Wells, Edgar Miller, Pridmore's Shanghai, Irving Pond, Corie Sharples, the Yannell House - nearly 50 great events on January calendar

With IIT and UIC still rather quiet, architect's lectures are at a premium, but the MCA brings in Corie Sharples of SHoP Architects in for a lecture on the 19th. Michael Repkin and Dave Hampton of Urban Habitat Chicago will talk on The Wonderful World of Malcolm Wells, the visionary eco-architect who died this past November, (after writing his own obituary, which you can download here.)

The Chicago Architecture Foundation's Wednesday lunchtime lecture will be dominated by great new books and their authors: Sally Sexton Kalmbach discusses her new portrait of Bertha Palmer, The Jewel of the Gold Coast, D. Bradfort Hunt, Chicago public housing's Blueprint for Disaster, and Richard Cahan Edgar Miller and the Handmade Home. And Sprawl's Bob Bruegmann closes out the month talking about Chicago's Great Planning Disasters while still managing to keep it within 45 minutes. CAF also offers Jonathan Boyer of Farr Associates on the Yannel Net Zero Energy Residence and Shaw Technology and Learning Center. For SAH Chicago at AIA, David Swan lectures on his work bringing The Autobiography of Irving Pond to press seventy years after Pond wrote it. Jay Pridmore discusses his striking book, Shanghai: The Architecture of China's Great Urban Center, at AIA Chicago.

Howard Hill of Wiss Janney talks about the I-35W Bridge collapse at SEAOI's monthly dinner meeting. On the 16th, there's the 2010 Chicago Regionals for the Future City Competition, featuring the visions of talented 7th and 8th graders. Friends of Downtown sponsors a preview of Roosevelt U's new 32-story dorm, by VOA, and SOM unveils its vision for the water of the Great Lakes at AIA Chicago

And, as, they say, there's more, much more. Check out all the nearly 50 January events here.

Debut Tonight on WTTW: Celebration of Light - Documentary on restoration of Cultural Center Tiffany dome

At 5:30 p.m., tonight, Sunday, January 3rd, WTTW, Channel 11 will debut a new documentary on the restoration of the stunning Tiffany Dome at Shepley, Rutan & Coolidge's 1897 Chicago Cultural Center. Designed by Tiffany's Jacob A. Holzer, it battles another Tiffany work at the former Marshall Field store on State for the title of "world's largest Tiffany dome,", with over 30,000 individual pieces of glass. The restoration reversed a previous 1940's retrofit that placed a second, copper dome over the Tiffany, replacing sunlight with artificial back lighting.

Holabird & Root was the architect and structural engineer for the project, which involved over 70 artisans and workers from Wight & Company, Botti Studio, the Kokomo Opalescent Glass Co., Restoric LLC and Historic Surfaces. The documentary was commissioned and funded by Wight & Company and produced by Left Brain/Right Brian Productions, LLC.

Read our own previous post on the restoration here.

Wednesday, December 30, 2009

Daniel Burnham Saved From Drowning

We're embarking on a new series, Chicago 2019, in which we hope to draw on the lessons of the past year, including the city's bid for the 2016 Olympics, and the Burnham Plan Centennial celebration, to start talking about where we go from here.

Tomorrow, or soon thereafter, we hope to publish our post mortem on how the architectural elements of the celebration played out as the year went on, but for today, we give you . . .

Daniel Burnham Saved from Drowning
For now, we're beginning with an expanded - and copiously illustrated - version of the Burnham piece I wrote for the Chicago Reader earlier this year, in which we attempt to rescue Daniel Burnham from the murky waters of the sea of adulation marking this year's centennial celebration of his 1909 Plan of Chicago. This is Burnham with the bark off, and a tale of how the architectural component of the celebration was hijacked by academics and ideologues who were about as far from the spirit of Daniel Burnham as nature allows. Read the full story in all its gory detail, follow the links to all things Burnham, and see the images here.

Tuesday, December 29, 2009

Working on year-end piece - so here's a Cat Blue

special bonus: from Roger Corman, the cat with the X-Ray eyes

Monday, December 28, 2009

This is Living? MAS Context's winter edition rich, fascinating - and free!

For a publication with no visible means of economic support, MAS Context manages to keep churning out great content, for sure. Case in point is Living, the just-issued Winter edition of the quarterly edited by architect Iker Gil. It's another real keeper.

Your Living is Not My Living, And That is Fine
, is how Gil titles his introduction, and it's reflected in another cornucopia serving of images and ideas, beginning with photographic case studies of five projects, from old icons - Kisho Kurokawa's metabolic Nagakin Capsule Tower, where living is compacted to stacked units of 100 square feet - to new icons, Steven Holl's Linked Hybrid complex in Beijing - to abandoned icons - Taiwan's pod-like UFO houses.

Among the great essays are Chicago architects Karla Sierralta and Brian Strawn's tale of living in Venezuela's Maracaibo, a boom town where gasoline can be bought for next to nothing but water for a family of four runs $300 a month. There's a fascinating interview with Eric Bricker, the director of Visual Acoustics, the documentary on legendary architectural photographer Julius Shulman that derives its title from Shulman's description of the interior of L.A.'s Bradbury building, featured in films from Jack Nicholson's Wolf to Ridley Scott's Blade Runner. The 90-year-old+ Shulman's response to Bricker's proposal to create a film on his life could well become my new manta: "Well, I don't see why not."

For his photoessay Assembly Required, Andrew Clark has actually taken the time to count up all the packages, steps and pieces required to put together all the furniture featured on individual pages of the Ikea catalogue (this living room, at 32/235/1234, will send chills down the spine of even the most dedicated DIYer).

Pride of place, however, goes to Living in Cabrini, where photos of the infamous housing project run next to vivid memories of former resident James Lockhart to provide one of the most eloquent expressions I've ever encountered of the actual experience of a specific architectural space.

There's much more, it's all good, and it's free. Check out Mas Context here, and download the Living issue here.

Saturday, December 26, 2009

Happy After Christmas! Chicago makes No. 5 on list of 100 Places to Remember Before They Disappear

photograph: Jim Richardson/Getty

So much for warm holiday spirit. We just caught up with this slideshow from England's The Guardian depicting 16 of the 100 places the International Panel on Climate Change is betting won't be around a century from now. Bhutan, Caracas, Australia's Kakadu wetlands, and, Chicago?

"That's today weather, and now, the forecast for the 21st century:"
a gradual, dramatic increase in heatwaves and flooding due to global warming . . . an increase in hot summer days . . . unpredictable heavy rain and flooding . . . damage [to] Chicago's tourism industry.
Guess those $500 cases of pop at McCormick Place don't seem such a big deal now, do they?

The good news: Chicago's climate will be just like that of Texas and Alabama. They'll be a lot more good country western bars, our college football teams will win more games, and the Indiana Dunes will really come into its own. A Daley will still be mayor; she'll just be mangling the English language with monophthongized dipthongs.

See the entire slideshow here.

Thursday, December 24, 2009

Christmas in Chicago 2009 - in photos and video

Yes, it's finally here. Christmas in Chicago, 2009. Watch for that special visitor coming to the subway.

Check out all the photographs here. And if you're still not Christmas'd out, check all the great photo essays and stories from previous years.

Happy Holidays!