Showing posts with label Hyde Park Art Center. Show all posts
Showing posts with label Hyde Park Art Center. Show all posts

Friday, September 20, 2013

Hunting of the Snark(itecture): A Photo Tour of Architecture and Design at Expo Chicago 2013, through Sunday

click images for larger view (recommended)
Early yesterday afternoon, I made a quick survey of the second annual edition of Expo Chicago, the massive art show in the Festival Hall of Navy Pier, showing work from 120 galleries representing 17 countries and 37 global cities.  (My apologies to all the galleries whose work I photographed while it was still receiving finishing touches.)

Studio/Gang was back again this year designing the exhibition, with its layout patterned after a Chicago street grid lined with exhibition spaces.  Only one of last year's mylar domes returned, the huge reflective piece hovering over the centerpoint of the exhibition space.
New this year - and beneath the dome - is Snarkitecture and Volume Gallery's Bend, “a series of upholstered  foam cylinders that bend, twist, and drape over one another to create a reconfigurable seating environment.  Inhabiting a world between collapse and animation, the elongated cylindrical forms creating a shifting landscape for relaxation.” Or for checking messages on your smartphone.
Snarkitecture also designed this year's Museum of Contemporary Art Pop-Up Store.
. . . a scheme based on a singular modular and flexible millwork unit.  Each piece has a distinctive excavated surface that is cut away to reveal interior shelves for the display of books and objects . . .
The domes that last year marked two other gathering areas were replaced this year with fabric “frustrums”, which both enclosed the area and allow views through them.  The one above the cafe, at the east end, is a white scrim . . .
 
. . . while the other, at the west end, is an almost turban-like affair that marks the exhibition area and lounge for Expo Video - new this year - which will show videos curated by the Walker Art Center's Dean Otto.
“Natural wood display display stands and log seating define the lounge space without obstructing views to the galleries beyond.”
While you're at the south end, be sure to walk up the stairs to the mezzanine to check out Edgewater's 6018|North's Home, curated by Tricia Van Eck, in which four artists have each made a room for an “artists' home.”  The kitchen . . .
. . . by John Preus and Dilettante Studio, is constructed out of reclaimed cabinetry, and will host performances, workshops and talks curated by SHOP's Laura Shaeffer with John Marciniak.

Lise Haller Baggesen created her own artists' studio . . .

. . . “replete with disco balls, glitter, and glam” for visitors to sit in and “contemplate life as an artist.”  There's also a “chill-out living room” from Sabina Ott, and Jane Jeradi's “performative bedroom [which] presents a captivating space to relax.”

The relationship between art and architecture, of course, is a strong one, and as you walk through the galleries, you'll encounter it repeatedly, from intricately constructed sculptures, architecture captured and transformed through photographs, actual furnished rooms . . .
and even debate, as at the gallery of the Hyde Park Art Center . . .
And if you really like getting your head into art, the National Resources Defense Council has constructed Metropolis by Vaughn Bell . . .
. . . in which you can actually pop up your head into “a large-scale terrarium comprised of acrylic skyscrapers composed of native Midwestern plants and mosses,” creating “an immersive experience that challenges our relationship to the natural world.”
Expo Chicago 2013 runs Friday and Saturday from 11:00 a.m. to 7:00 p.m., and Sunday 11:00 a.m. to 6:00 p.m.)  Map and information here.  This year also marks the first edition of Expo Art Week, which a large number of related events throughout the city.  Info here.

From Last Year:

Big Shiny Things:  Studio/Gang at Expo Chicago 2012

Tuesday, August 02, 2011

Chicago loses one of its best: Doug Garofalo dies at 53

Blair Kamin's Cityscapes blog this afternoon posted a letter from UIC's Robert Somol announcing the death, after a prolonged illness, of architect and educator Douglas Garofalo, one of the most talented and imaginative practitioners in the city. You can read the text of the letter, which provides a full appreciation of the man and his work, here.
click images for larger view
Doug was the subject of the second article I ever wrote about architecture, for the Chicago Reader, about his temporary 2003 installation at the Museum of Contemporary Art, and the wonderful way, with form and color, he counterbalanced the stolid, slightly totalitarian bulk of a building by Josef Paul Kleihues. Working with his students, he created a work that ragtag, improvisational and inspired, breaking apart the Museum Building's overbearing "This is the way it is" with a sequence of "or it could be this, or maybe this, or even this . . .", including an amorphous egg-yolk-like pod that dared people to lounge in it.
A year later, he led his students in filling one of the galleries in Stanley Tigerman's Ten Visions exhibition at the Art Institute, choosing again a transformative theme responding to the fact that then recently issued 2020 Plan for Chicago, as opposed to Daniel Burnham's plan of 1909, was all but completely devoid of imagery, a dry rustle of academic musings that Doug and his students strove to "illuminate" with an array of creative proposals, set in a gallery that showed Doug's mastery of innovative materials, including a floor of spun aluminum.
In 2006, he took an old industrial structure on Cornell and transformed into a vibrant, light-filled and colorful home for the Hyde Park Arts Center, making the very facade dynamic, with the upper level a giant projection screen, allowing the museum to literally wear its art - ever changing - on its very body.
Doug was as modest as he was talented, and very generous with his time both with students and an aspiring new writer. His loss is immeasurable, but if there's any consolation, it's in the wonder of how good architecture embodies the character of its creators.
The 2003 MCA installation was completed just as George Bush had taken us into Iraq. It was a dark time, just as today, with the nation taken hostage by the Jacobins of the extreme right, is a very dark time. Then, I had found relief in the delight of how "the Garofalo team's bright, insectlike structures stand to scamper across the impassive surfaces of the MCA in small, happy rebellion." I find relief today, through the sadness of the time, and of Doug's passing, in the thought of the spirit of his quiet creativity, of his very human-scaled, yet strong-spined rebellions against the stolid and the stupid, paying forward in the future efforts of all those he'll continue to inspire