Showing posts with label Nathan Mason. Show all posts
Showing posts with label Nathan Mason. Show all posts

Tuesday, January 07, 2014

Street Smarts: Chicago Street Art, at the Cultural Center only through Sunday - Plus our Photogallery on Art on the Street (and Viaduct)

Okay, so people liked our Monday story about the doomed Phillips House in Sheridan house a lot more than they liked Tuesday's post on pitching 150 North Riverside, so we're taking a break before part 2 to remind you of a great show at the Chicago Cultural Center's 4th floor exhibit hall, Paint Paste Sticker: Chicago Street Art. You have only through Sunday, January 12th to see it.  My apologies.
Painted, wheatpasted or stickered, made for a hard life on the streets or to enliven a domestic setting, the art flowing from the Chicago Street Art community is among the most intense and vibrant in the city today. The exhibit features work from over two dozen artists including Slang, Zore, Ish Muhammad, Hebru Brantley, Uneek, Statik, Brooks Golden, Chris Silva, You Are Beautiful, Oscar Arriola and an overview of projects by Chicago Urban Art Society & Pawn Works and Galerie F.
Jyoti Srivastava has a great post on the exhibition with photos of over a dozen works and curator Nathan Mason.   An article by the Reader's Deanna Isaac's profiles Statik, a/k/a, Rahmaan Barnes, who created his “remix” of Caravaggio's The Incredulity of Saint Thomas, seen at the top of this post, entirely in spray paint.

Many of the artworks come from organized - and authorized - projects.   Others came from the more renegade forms of graffiti and tagging. I don't think I want to go back to days in 1980's when a deeply troubled New York City had its subway cars overrun with graffiti, nor am I comfortable with buildings and L stations being tagged by street gangs marking their territory, but you can't help to be impressed by the creativity street artists bring to some of the city's drab and unwelcoming infrastructure.  There's even a bus shelter, by Mario "Zore" Gonzalez. . .
. . . that would be a welcome relief from Bob Stern's joyless, thick-limbed constructions.

It's a great show, and this Saturday, January 11th, there's a closing weekend program, Chicago Street Art Stories:  1:00 p.m. in the Claudia Cassidy Theater on the Cultural Center's on the 2nd floor off the Cultural Center's north stairway. An open mic where you'll be able to hear many of Paint Paste Sticker's artists talk about their art and careers.  “The Exhibition catalog will be available and free for the taking.”

Here's our own gallery of some of Chicago's street art.  Some were temporary, others disappeared behind new buildings, many still endure for your enjoyment.

click images for larger view (recommended)
 
 
  
continue the survey, after the break

Sunday, August 05, 2012

13 years later, Cows on Parade still hanging on

Nine Spotted Lady Bug Cow by Brian Calvin,  still at its original location,climbing up the facade of Hotel Talbott, Delaware near Rush.(click images for larger view)
Blame the Swiss.  In 1998, they got the bright idea of casting cows in fiberglas and letting local artists loose on them.  Chicago shoe magnate Peter Hanig saw the exhibition in Zurich, and with Cultural Affairs Commisar(ess) Lois Weisberg, they hatched (you do know that cows come from eggs, yes? really big eggs.) 1999 Cows on Parade, curated by Nathan Mason, in which no fewer than 306 88-pound hollow bovines were transformed by artists from Herbert Migdoll to Karl Wirsum, Tom Bachtell, Mr. Imagination, Terrence Karpowicz, Barbara Koenen and Ed Paschke, to name just a few.  (Paschke's cow, Vaca Victoria, was actually yanked from view because it incorporated gang symbols.)

Helmut  Jahn created Lines at State and Wacker.  Stanley Tigerman and Dong Huy Kim sliced their Cow(ed) into three parts, Damien Hirst style.

Cows on Parade was so successful, it spawned countless street-side exhibitions worldwide, taking on everything from elephants, to ducks, moose, shoes, eggs, frogs, peanuts, another kind of peanuts, and . . . bananas.
Pete Price Banana - photograph: Stuart Ian Burns, Wikipedia
Our neighbors in Racine have been doing an annual festival since 2002, starting with cats, then dogs, then bears, and in 2005, fish and otters . . .



This year, they've been reduced to trunks.   The situation in Chicago is no better.  For still another year, Michigan Avenue is dotted with ten recycled refrigerators, redesigned by local artists.  This year's exhibition is named "MetamorFridges", and is sponsored by ComEd.  Things have grown increasingly commercial, didactic, and - truth to tell - more than a little tired.  Appropriately, this one looks a bit like a bicycle hearse.
A decade is a long time to do variations on a single idea.  Clearly, some fresh thinking is order, and it's useful to look at some reminders of the giddy fun of the original 1999 Cows on Parade, which can still be found around the city.
Some can be found outdoors, such as the one above, on west Dickens.
Other cows have found inside resting places.  piCowso, by Todd Treleven, Jeff McMahon and Scott Wallace, was originally outside SOM's One Mag Mile on Oak Street.  Now, it's retired to the offices of its donor, HavasChicago.
© Jyoti Srivastava. All rights reserved.
Recently my good friend Jyoti Srivastava discovered another indoor cow.  In 1999, W. la Vaca 1999 #2, by Virginio Ferrari could be found at State and Wacker.  Today's it's in the atrium of 20 North Michigan. You can find more surviving cows on Jyoti's excellent blog, Public Art in Chicago, here.

How many more cows still live?  If you know of any, let us know, and we'll add them to our Put Out to Pasture catalog.
Actually, the Chicago Loop Alliance, with its Pop-Up Art galleries and projects like this year's Color Jam have brought a lot of creativity to public art in Chicago, as has the annual BIGart installation at Navy Pier, and The Chicago Sculpture Exhibit.

Are recycled refrigerators God's way of telling us there's a drop-dead date on whimsy?  What new ideas are waiting to be discovered for combining tourism and public art?  Fiberglas figures of  Convicted Aldermen on ParadeGiant grapefruit on the marchSurrealism on State?  No?  Well, what have you got?  Pass along your suggestions and we'll post them here.