Showing posts with label Pioneer Court. Show all posts
Showing posts with label Pioneer Court. Show all posts

Sunday, May 31, 2026

J. Seward Johnson sculptures ARE PEOPLE!!!! A Chicago Survey

 Over 15 years, the sculptor J. Seward Johnson created a large number of works for Chicago, mostly temporary installations, and largely situated in Pioneer Court, the large public space between the Gothic Tribune Tower to the north, the steel-and-glass Equitable Building to the West, the Chicago River to the south (and since 2019, the Apple Store), and Michigan Avenue and the Spanish-styled terra-cotta-clad Wrigley Building to the West.

2008, King Lear, Pioneer Court. (since 2009, at Grounds for Sculpture, Hamilton New Jersey)



2008, God Bless America, Pioneer Court






Forever Marilyn, 2011, Pioneer Court





Caution, Man Contemplating Work, Roosevelt Collection 2012




Return Visit, 2016, Pioneer Court, here in time for Cubs World Series run





Allow Me, Four Seasons Hotel (Chicago does like to celebrate our winning teams)




Take Time Out Before Time Runs Out, Presidential Towers, 2017



Crack the Whip, Navy Pier, 1996





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Wednesday, November 18, 2015

Apple Founds Foster Home on Pioneer Court

Source: Chicago Department of Planning and Development,
via the Chicago Tribune (click images for larger view)


Late Thursday evening, Chicago Tribune architecture critic Blair Kamin released five renderings presented to the Chicago Department of Planning and Development for the long-rumored new Apple Store in Chicago's Pioneer Court along the north bank of the Chicago River just east of Michigan Avenue.
Source: Chicago Department of Planning and Development,
via the Chicago Tribune
Apart from a bravura free-standing glass staircase, the original Chicago store, opened in 2003 at the start of Apple's retail juggernaut several blocks to the north,  placed more emphasis on sustainability than spectacle.   The proposed new 20,000 square foot store, in contrast, would be more in line with the company's current vogue for epic architectural expressions.  According to Kamin's report, it was designed by the world-renowned firm of Foster + Partners.  It  would have a 6,500 square foot footprint, and redefine the relationship of the plaza to the river.
Currently, that link consists solely of a elegantly curved but constricted winding staircase.  In Foster's design, it's replaced by wide Spanish steps more in the line with the larger staircases found along the newer portions of the riverwalk to the east.  The huge roof over the glass-walled structure would cantilever in all directions but, perhaps most importantly, would stretch beyond the edge of the plaza to shelter the river walkway below.  In the renderings it has the appearance of wood, but would actually be reinforced with carbon fibre.
Pioneer Court's current rather anonymous riveredge would be replaced by a calling card 32-foot curtain wall, horizontally segmented between a 14-foot section above plaza level, and an 18 foot section beneath.  From the riverside view, it reads as a cutaway section of a one-story structure and its capacious basement.
Source: Chicago Department of Planning and Development,
via the Chicago Tribune
Strangely enough, the new store would be something of a return journey for Pioneer Court, constructed in the 1960's.  The site is said to have once held the residence of early settler Jean Baptiste Pointe Du Sable in the 1770's, and later the larger riverfront factory of the Jap Soap Company, which stretched north also to the doors of Tribune Tower and turned out 50,000 tons of soap each year.
image courtesy The Chuckman Collection
After an interim period as a surface parking lot, Pioneer Court was constructed in 1965 to link Skidmore Owings and Merrill's new Equitable Building to Michigan Avenue.   A cleaner version of the Apple proposal, a large Miesian entrance pavilion was part of the original design, bringing people down into the retail arcade beneath the plaza.
Chicago Tribune archive photo
Pioneer Court was redesigned in 1992, removing both the entrance pavilion and the fountain, inscribed with the names of 25 Chicago Pioneers that gave the plaza its name.

By being placed along the southern edge rather than centered on the plaza, the Apple Store, even as it strengthens the relationship to the river, unbalances the geometry of the plaza.  The plus side is that there would still be a large open area to the north of the store, which could continue to be home to such spectacular, if controversial installations as J Seward's Johnson God Bless America, a supersized version of Grant Wood's American Gothic . . .
. . . his even more infamous Forever Marilyn . . .
. . . and to events like 2013's edition of Diner en Blanc . . .
It would be good to get a better idea of what the inside of Foster's design will look like - there are no interior views among the five renderings accompanying Kamin's story - but from what we can see now, the Apple Store at Pioneer Court looks to be a pretty good deal both for the plaza and for creating a stronger, more generous civic linkage to the river at the beginning point of the Mag Mile.
Source: Chicago Department of Planning and Development,
via the Chicago Tribune
More:
Photo Courtesy The Chuckman Collection

A Short History of Pioneer Court, its Shortfalls and Potential

Sunday, October 05, 2014

Not Going Straight: Juan Angel Chavez's Points to Blossom in Pioneer Court

click images for larger view
Much is made in contemporary architecture about liberating itself from the constraints of linear form, but the new sculpture in Pioneer Court by Juan Angel Chavez takes randomness to a new level.

Points to Blossom officially goes on display on Monday and is scheduled to remain, providing its durability remain unchallenged, through November 3rd.  (If Chavez's sculpture is not really improvised, the same can't be said for those paper signs hastily taped on with “CAUTION DO NOT CLIMB” underscored in yellow highlighter.)
Chavez is artist in residence for this year's edition of Chicago Ideas Week, which takes place October 13-19 at various locations.


Chavez is known for constructing his works out of found materials - in this case, recycled plywood, angled, bent and threaded together.  Points to Blossom resembles a ball of rubber bands, if it wasn't really a ball, and if the bands were somehow widely dispersed around a large irregular space.  While a building by Frank Gehry or Zaha Hadid may break the bounds of traditional right-angled design, Chavez's loosely woven structure seems all irregularity, a sequence of components that seems just a moment away from totally unraveling and flying off into space.  Its a structural improv that almost defies you to resolve its many parts into a visually comprehensible whole.
Chavez encourages his audience to interact with his sculptures and, Sunday morning, kids were already bounding past any intellectual questions the work may pose, and simply enjoying the experience of Chavez's loopy construction.


Monday, December 23, 2013

Christmas and Chicago Architecture 2013

Merry Christmas and Happy Holidays! 

click images for larger view