Showing posts with label Sam Guard. Show all posts
Showing posts with label Sam Guard. Show all posts

Tuesday, September 27, 2011

Herringbone floods and the hidden potential of an overlooked Chicago gem

A couple of year's ago, Hyde Park's Sam Guard had tipped me off about an impending change at the upper-level outdoor plaza at Illinois Center. The basic plan for Illinois Center had been designed by Mies van der Rohe, as well as the first building, One Illinois Center, completed in 1970, the year after Mies' death. The paving design followed the grid of the buildings . . .
 click images for larger view
and, as you can see, it had been allowed to deteriorate over time.  Add to the mix that moisture was reported to be seeping into the level below, required a resurfacing of the plaza. At the time I was talking with Sam Guard, the new plan had already become visible in the driveways, resurfaced in a darker, simpler interlocking pattern of squares and rectangles . . .
I didn't get much a response when I asked Illinois Center about their plans in 2009.  Nothing seemed to be happening, so I moved on to other things, but a recent visit revealed that it's now the plaza's turn.  The original geometric paving is being replaced by a continuous carpet of herringbone, with lighter pavers of exposed-aggregate Chicago-style concrete . . .
It's not a tragedy, but it's certainly a disconnect from the design of the buildings.  As I've written before in regards to Buckingham Fountain, I'm not a fan of these massive undifferentiated carpets.  What might be distinctive in smaller implementations, or as a composite in a more detailed general design, becomes numbingly generic when slathered across a huge surface like ketchup on a bad burger.  It may be cheaper to maintain, but it's just plain lazy.  At the Miesian Illinois Center, the endless herringbone is like wearing sneakers with black tie. I know it's done, but that doesn't necessarily make it a good idea.

Which is too bad, because in my mind, the upper plaza at Illinois Center is one of Chicago's unrealized gems.  It's been described as cramped and windswept, but I don't find it cramped at all, nor, whenever I visit, especially windswept.  It may not be the greatest place to be on a freezing winter day, but the same could be said for just about any downtown plaza under those conditions.  On a warmer day,  and especially at night, the way you see the buildings slide past each other as you traverse the plaza is quite beautiful.
I love the way the plaza plays off the modernist towers to the east and south to a shear western wall made up of the raw backsides of the older Michigan avenue structures.  The mature landscaping is also quite attractive, small plantings, flowers.  I love especially the tall trees, delicate green leaves and brown trunks rising in counterpoint to synthetic black of the monolithic towers.
Illinois Center, of course, became the poster child for the revolt against modernism, its towers the epitome of the repetitive black box, it's concourse a low-ceiling second tier shopping mall with the charm stripped away.  It didn't help that the complex was twice removed from the rest of the city, both stuck behind older structures like the Art Deco 333 North Michigan and the neo-classical Republic Insurance Building, and its office lobby's raised up a level above Michigan Avenue.

That raised plaza, however, has now become the bridge to the massive residential development to the east.  Until you get to the sunken park of Lake Shore East, it's all on the same level of the Illinois Center plaza.

Two things are missing to make the plaza a real asset. First off, the kind of amenities that make a plaza a destination.  Changing this needn't be an ordeal  A few kiosks, and maybe a discreet dumbwaiter structure that would allow the broad expanse overlooking the Chicago river . . .
to become a dining plaza during the warmer months.

The second is a way to end Illinois Center's isolation from the Mag Mile, a link to draw up people from Michigan Avenue. In 2008, the Chicago Loop Alliance and the Urban Land Institute Chicago chapter floating a proposal for creating a Chicago equivalent of Rome's Spanish Steps to mediate between Michigan Avenue and the plaza.
Nothing came of it, and now the gracious stairway entrance off of South Water . . .
 . . . has been sealed off, as has, last time I checked,  the stair from East Wacker.  Hopefully, this is temporary, and they'll return in good condition.

To me the most intriguing possibility lies in a small gap between the buildings on Michigan Avenue . . .
It's not wide enough to create a Spanish Steps style grandeur, but, replacing the existing fire escapes, it's just wide enough to create something so visually arresting that it would pique the interests of the passersby to see just where that funky staircase led.  The Chicago Loop Alliance has been instrumental in bringing art back downtown.  Sponsorship of an architectural competition for the design of that stairway could both eliminate an unsightly scar on the Mag Mile and provide the needed bridge between Illinois Center and the rest of the city.

Sunday, April 24, 2011

Last Weeks for Must-See Exhibition, Louis Sullivan's Idea

click images for larger view
Okay, you've had almost a year - it opened last June - so if you miss the best architectural exhibition I've seen in ages, you've got no one to blame but yourself.  One final warning:  The extraordinary Louis Sullivan's Idea, at the Chicago Cultural Center, closes Tuesday, May 2nd.
An inspired collaboration between City of Chicago Cultural Historian Tim Samuelson and graphic artist Chris Ware, it offers an eloquent selection of artifacts and photographs,  a strong and convincing viewpoint, and a compelling story.  Ware makes full use of the double-height galleries with large photographs that give you a clear idea of Sullivan's work both in scale and detail. 
And the story Tim Samuelson recounts is a true epic, from the dismissal of the early work of Sullivan and his Jewish partner Dankmar Adler by Chicago's first architect, John Van Osdel as "architecture run crazy.  It's an experiment in Jewishness like we have never seen before," to the crucial influence on Sullivan of the free-thinking, now almost forgotten John Edelmann, foreman of William LeBaron Jenney's office when Sullivan came to work there, who "regarded human beings as inseparable, integral parts of the natural order," and whose image was captured by Sullivan in the sketch you see above.   It carries Sullivan through to his greatest triumphs, and to his troubled final years, when his indomitable spirit carried him through abject poverty and rapidly declining health to produce his last two gifts to architecture, the books The Autobiography of an Idea, and A System of Architectural Ornament.
This fall there will be the highly anticipated exhibition of the work of Bertrand Goldberg at the Art Institute, and it has its worked cut for it in meeting the raised bar that Louis Sullivan's Idea presents.  You can see more images of the exhibition and my original report, including a video of Tim Samuelson talking about the show here, but really, Louis Sullivan's Idea is like a great building; it's not meant to be read about, but to be seen and experienced.

Between now and May 2nd, the Chicago Cultural Center, 77 E. Randolph, is open every day of the week, Monday through Thursday 8 a.m. to 7 p.m, Friday, 8 a.m. to 6 p.m., Saturday 9 a.m. to 6; and Sunday 10 a.m. to 6 p.m.  Enter on Randolph, walk up the staircase winding around the outdoor garden, go through the doors on the 2nd floor landing and turn to your right, and enter into the life and thought of one of history's greatest architects.
New - Free Louis Sullivan Tours with Sam Guard
And yes, you actually get awarded for your procrastination, starting Monday, April 25th, construction engineer, historian and story-teller par excellance Sam Guard will be offering special three-hour tours (no cracks about the SS Minnow, please) that begin at the Cultural Center and then spill into the streets of Chicago to encounter the real thing, Adler & Sullivan's Carson Pirie Scott store, the Gage building and ending up at the Auditorium.

Guard is scheduling the tours, all beginning at 1:00 p.m.,  for Monday 4/25, Wednesday 4/27,  Friday, 4/29, Saturday 4/30, and Sunday, 5/1. "These are free of charge, only your full attention is required."  Space, however, is limited, so rsvp to Mr. Guard via email (samguard@sbcglobal.net) to reserve your place.