Showing posts with label School of the Art Institute of Chicago. Show all posts
Showing posts with label School of the Art Institute of Chicago. Show all posts

Monday, November 09, 2015

From Guns to Steel Skeletons, Blanc to Mies: Interchangeable Parts and the Beauty of Design


As we've mentioned before, our current conditions, including architecture, derive from being at the culmination of the Age of the Supply Chain, whose defining impulse is bringing the widest range of goods to the broadest number of people over the farthest geographic range using the minimum of human labor.

One of the key components of this process is the standardized, interchangeable part.  It's expressed clearly in the modern architecture of the grid and skeleton frame.  A modern skyscraper is, at its essence, a collection of standardized, interchangeable parts, assembled into modules that in themselves are repeated to the compose the pre-defined extent of the building.

While Eli Whitney, with his cotton gin, may have been the first person to make interchangeable, standardized parts an integral part of design, he was not the initiator.  That honor most often goes to French gunsmith Honoré Blanc, who developed the basic idea but was met with an uniform lack of interest from his countrymen in making it reality.  No less than Thomas Jefferson invited Blanc to migrate to the United States to be able to carry out his innovation, but to no avail.  And so it's Eli Whitney in the textbooks.

There is no underestimating the role of war in furthering technology, and so it should not be surprising that it was in the context of creating reliable firearms that the idea of interchangeable parts first found fruition.
An assemblage of interchangeable parts at
Mies van der Rohe's IBM Building

Tomorrow, Tuesday, November 10th, curator Ashley Hlebinsky of Wyoming's Cody Firearms Museum will lecture on From Protector to Perpetrator: Demystifying Firearms, the last of a series of Taboo Subject lectures organized by School of the Art Institute Professor Ben Nicholson.
The design and manufacture of firearms stands as one of the great achievements of the Industrial Age. The process pioneered the "American System" of manufacture that standardized mechanical reproduction on a massive scale. Gun and ammunition design has its own logic and, when demystified, can inform other disciplines. Ashley Hlebinsky will discuss the ways in which firearms are stigmatized in culture and how those perceptions can lead to obfuscation of the distinction between firearms and firearms violence in history.
Yeah, I know.  My first reaction was a kind of dumbfounded "WFT?" as well.  Yet if the Defense Department gave us the Internet (sorry, Vice President Gore), as well as numerous other core technologies we all depend on, a look at guns from a design standpoint might be a fairly essential perspective in understanding how we got where we are today.

The lecture will be given in the SAIC ballroom, 112 South Michigan, from 4:15 to 5:45 p.m. tomorrow, Tuesday, November 10.   It is free and open to the public.

Friday, September 13, 2013

Florian Ortkrass of rAndom International tonight

Well, our blog is running fine, but our Repeat website, including the calendar of architectural events, is currently down, the victim of a server migration at my hosting service that so far is not running smoothly.  (My email is also down; if you need to write me, call or use my alternative email address or leave a comment here and how to get back to you. )

In the interim, we're passing on information about a lecture we just heard about . . .

Florian Ortkrass of rAndom International

6:00- 8:00 p.m. - School of the Art Institute, Columbus Auditorium, 280 South Columbus
Sponsor: School of the Art Institute of Chicago
Free and open to the public

Visiting artist Florian Ortkrass' practice revolves around the creative conceptionof rAndom International's work - led together with Stuart Wood and Hannes Koch - as well as its physical and functional interestin applied science and human cognitive development fuels the evolution of new works and studio culture.

Florian Ortkreass is founding director of the London-base experimental design group rAndom International, famous for installations such as The Rain Room, which wason exhibt at MOMA in New York this summer. Floria discuss rAndom Internationl's diverse practice ranging from responsive environments such as The Rain Room and Audience, to high technically innovative design objects such as their Temporary PrintMachine and Pixelroller.

Information online.