Thursday, December 19, 2013

Friday: Chicago is Dhoom-ed!

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[Saturday December 21 update] Despite mixed reviews,  at 36 crores Dhoom3 broke the Indian boxoffice opening day record for.  It also set a new record for the North American opening of a Bollywood film, taking in over $1 million from 236 theaters, nearly doubling the per-screen average for Anchorman2 and Hobbit/Smaug.  

It was late summer 2012 when Bollywood director Vijay Krishna Acharya's helicopter buzzed  my Marina City balcony as he was tearing through Chicago filming the 3rd installment of the blockbuster Dhoom franchise with Indian superstar Aamir Khan.  At a reported 100 crore, it's a big-budget production for India.  Converted to U.S. Dollars, however, that comes out to just slightly over $20 million, but I'm sure Michael Bay is wracking his brain as to how Dhoom 3  managed three months of Chicago location shooting for what his Transformers:Age of Extinction probably spent just on ear plugs.
Dhoom 3 feasted on Chicago's rich architecture for its backdrops, from Millennium Park to the roof and lobby of the County Building, to the Broadway Bank lobby and Union station arcade, to the requisite car and motorcyle chases on lower Wacker and leaping a raised bascule bridge, speedboats racing down the river,  a dance number choreographed around a Cesar-sized version of Rahm's raised middle finger, and flipping cars like McDonald's flips burgers at Dearborn and Randolph.  The trailer promises spectacular stunts,  a circus, magicians, a beautiful aerialist (as in Wings of Desire), Odd Job's - or maybe John McCabe's -   bowler, and an ecstatic musical finale on the great lawn of Frank Gehry's Pritzker Pavilion. 
Today, Friday, December 20th, the world finally gets to see what it all adds up to, as Dhoom 3 debuts simultaneously on 4,000 screens in India and another 700 worldwide, including the AMC River East, where, if their website is to be believed, it will have no fewer than three midnight shows.

It's the first Indian film to be shone in IMAX.  It's nearly three hours long.  It's in Hindi.  I'm not sure there'll be subtitles, but Chicago needs no translation.



Read More:

Buzzing The Bridgehouse: Dhoom3 Films in Chicago

Sunday, December 08, 2013

John Ronan walks us through his first skyscraper, 151 Franklin

click images for larger view - photo courtesy John Buck Company
“Here's the site,” said Dominic Adducci, “I think we all agree it could use a little attention and love.”

In the eyes of the site's owner - and Adducci's boss - developer John Buck, “a little attention and love” comes in the form of a 36-story office tower, to be named after its address, 151 Franklin.  Buck was in attendance but let Adducci do the talking for him at last Monday's community meeting on the project presented by 42nd ward alderman Brendan Reilly. (Reilly has made Buck's Powerpoint presentation available for download here.)

It's the initial step of a public review process that he hopes will end in the demolition of the Walgreen's currently on the site next July and the first tenants moving in to his shiny structure in September of 2016.
Rendering: John Ronan Architects
The skyscraper is the first tower to be designed by Chicago architect John Ronan, best known for his school designs such as Christ the King and Gary Comer College Prep, and the striking new home for the Poetry Foundation. Ronan spoke about the challenges of designing a skyscraper in a video presented at the meeting . . .
For me the most unique and interesting challenge of this is how do you take this building type of which there are hundreds and hundreds of buildings and do something unique.  And I think we've rethought it from a different vantage point - not from a formal aspect but from more of a spatial aspect, so the character of the building is really comprised of two contrasting qualities.  We have this very earthbound, heavy base of the building which is out of a basalt stone which is actually a gray volcanic rock .  The contrast with that is the tower itself, which is very clean, light and technical in appearance.  What this building is about is experiencing it and being inside of it and finding that place in which you feel comfortable.  And it's about new discoveries.  It's not something you understand in a single glance.  It's something you have to go through, walk through, experience it and when you leave you say: Wow - you know, that was really great.  
Rendering: John Ronan Architects
The idea of solid stone at the base and a lighter cladding above hearkens back to Chicago's earliest skyscrapers, many of which featured rough-cut ashlar stone at the bottom providing the appearance of a solid foundation to the tall shaft with its thinner cladding - in brick, stone or terra cotta - that more frankly expressed the structure's metal frame.  

After Adducci provided an overview to the project - 25,000 square-foot, column-free floorplates, 825,000 square-feet overall, with retail and restaurants on the ground floor and a sky garden on the roof, Toronto's skyscraper associates Adamson Associates as architects-of-record, and Lend-Lease as the general contractor - he turned the meeting over to Ronan to walk attendees through the project.  We captured his talk below, complete with our usual bad sound, out-of-focus photography and Cabinet of Dr. Caligari camera angles . . .

One of the more interesting aspects or Ronan's design is his concept of public space.  At 151 Franklin, a large amount of the open plaza space is actually tucked under the building.
155 North Wacker, Arcade looking towards 151 Franklin site
Unlike the grand arcade at Buck's 155 North Wacker, just across the street, Ronan seems to be encouraging people to linger, with cafe seating and steps made for sitting.  (This actually evoked stress in one meeting attendee who anticipated the open area becoming a smokers haven that would force her to walk in the middle of the street to be able to get a breath of fresh air.)
Rendering: John Ronan Architects
Even more interesting is the second-level garden terrace  reached by a thin, long staircase rising up from Randolph Street. 
Placed in a sliver between 151 Franklin and the parking garage structure next door, this would be a public space that would both serve the new building and serve as a sheltered refuge from the bustle of the street.  
Buck says the rude facade of the parking garage will receive a more attractive surfacing, and he's bought the air rights above the garage to prevent another tower from rising next to 151 Franklin.

Ronan's multi-level lobby . . .
Rendering: John Ronan Architects
. . . reminds me of the one in Harry Weese's 1969 Time-Life Building . . . 

For all of its more progressive aspects, Buck has carefully engineered his tower to serve the new feudalism of our supply chain world.  Despite increasing reports casting doubt on the efficacy of those work-benched open offices currently so in vogue with management, Buck, in a video, sells the concept not as a command-and-control strategy coming down from above, but as something workers supposedly are clamoring for: “A more recent change is that as young people enter the workplace they want a different environment, more casual, more interfacing with their colleagues, so the private office is not disappearing, but it's on the wane.”  Similarly, much was made of the fact that Buck's building's 34 parking spaces actually represents a reduction in the number of spaces of the surface lot currently on the site, but those spaces aren't for just anyone - they're 34 “executive spaces.”  Like open-space offices, transit-oriented development is a great thing to force on 151 Franklin's 3,600 rank and file employees, so long as it doesn't affect the habits of the top brass. 

Is 151 Franklin coming late to the party when, only a few blocks way, a million-square-foot River
Dominc Adduci
Point is already under construction, and a 1.2 million square foot 155 North Riverside is well on its way to groundbreaking?  Are there any anchor tenants left to be had?

“All three of the projects are in the lease stages right now,” answered Adducci.   “The finance part of this project I can tell you that, having been with other developers for many years before coming to The Buck Company, it's very conservatively financed.  Over half of the project costs are equity,  so the actual debt on the project is quite low.  And we are working on several major tenants right now who are prospective at this point.”

Rendering: John Ronan Architects
Previously:

Great Architect is Fleeting; Ugly Garages Forever
Is White Modesty the new Overreaching Ambition?  200 West Randolph

111 West Wacker's Red Crane Flies the Coop

Take a last look - it's deconstruction time.
This was the scene at  111 West Wacker, formerly known as the abandoned, uncompleted Waterview, which was to combined a Shangri-La hotel with luxury condos before the whole thing went bust in the crash of '08.  Like the same movie run in reverse, the morning's activity looked pretty much just like it did this past February when they began erecting that tall red crane . . .
Now, the building has been topped out, much of the curtain wall is already in place . . .
Today, construction workers blocked off Wacker to finish the job of dismantling the crane that had grown to rise above 111's 60 story roofline . . .
The work moves inside, as they finish up the building's 504 luxury apartments.  As Waterview, this project had taken on the aura of the accursed.  As 111 West Wacker, rethought and revived by Related Midwest, with a second groundbreaking last November, it now looks a sure bet to make it all the way to the finish line, late next year.


Read More:

Cranes (No) Chicago Business
Waterview Has Risen From the Grave!
The Three Red Cranes of 111 West Wacker


Saturday, December 07, 2013

Chicago Through the Eye of the Commute - A New Instagram Stream


click images for larger view
I started a new job at the end of September, at a great place with fine people.  The only downside - I thought - was that for the first time in many, many years, I no longer walk to work but have a daily (laughably short) commute from Marina City to the State and Lake Loop L station to Paulina on the Brown Line and back each day.
Yet even that commute has a proven a blessing (I'm writing before the subzero cold hits).   It's become a bit of a palette cleanser from the accustomed hyper-density of the Loop, to the humanly-scaled ecosystem of a neighborhood.  So now on Instagram (follow me at my user name:  cmgiulini) I've taken to posting two photographs each workday, one from the morning commute, one from the evening.
Instead of timeless shots of the usual-suspect array of Chicago's architectural icons, it's much more impressionistic - the things we may not deliberately "see" as we pass them each day, but that still register as the visual signposts along our personal journey through the natural and constructed world.  The things in these random snapshots are a sampling of the cocoon-continuous stream of millions of visual impressions that gently bleed into our brain to color our consciousness every second of our every waking hour.
Or in other words, a bunch of iPhone quickies.
 
 
 
 
 
 
 
 
 
 
 
 

Thursday, December 05, 2013

A Walk Through the City on a Warm December Night . . .

click images for larger view (recommended)
 
 
 
 
 
 
 
 
 
 continue the journey, after the break