This whole historic preservation thing is more complicated than we thought.
Take the case of the Fine Arts Building, acquired by real estate magnate Robert Berger in 2005, which sits on Michigan Avenue just north of Adler & Sullivan's Auditorium. In the latest stage of Berger's exterior renovation of the historic structure, stone whose color for decades could only be described as "grimy" is being cleaned, revealing delicate pink hues quite possibly not seen since the time of the building's 1885 opening.
Another stab at authenticity has seen the removal of the George Mitchell's Artists Snack Shop sign, a festival of light that was Pop long before Pop was Pop. You can see it in all its lit glory here.
Obviously, the sign was not part of Solon Beman's design for the building, originally a showroom for Studebaker automobiles. Of course, the temporary replacement doesn't exactly say Fin de siècle Chicago, either.
Which raises the question: what is preservation? Is it a meticulous return to the state of a building at the moment of its completion? Or does it leave some record of a structure's passage through time?
Of course, to get back to the beginning at the Studebaker, you'd have to lop off the top three floors - and their skylit studios - which Beman added in 1898 when the building became the Fine Arts we know today, and rip out the rehab of the theaters done by Andrew Rebori in 1917.
Truth be told, Beman's facade is what is often called, euphemistically, "quirky". It's a wedding cake building, without the setbacks, a festival of questionable proportions, with a two-story base, a squat, three-story body, a high two story arcade, topped by a newer two-story arcade, topped by its own one-story arcade. At the center are two stubby columns at ground level, topped by pilasters with toothpick columns on either side, topped by thick, two-story columns with Romanesque capitals sitting in front of windows and supporting a story of arched fenestration above. It's a work that inspires affection more than admiration. The Artists sign added to the amiable confusion by spanning only two/thirds of the central bay, further breaking up the tenuous symmetry.
The real splendor of the Fine Arts is in its interiors, and in the home they've provided to Chicago's artistic community for over a century.You can read all about the Fine Arts in a history created by the building's management here. Even better, according to the Building's website, this week on November 13 is one of the "Second Fridays" of each month when, from 4:30 to 9:30 p.m., you can take your own self-guided tours of the Fine Arts' glories.