Wednesday, January 04, 2012

One Tower for the Meatpackers; One for the Fashionistas - Ross Barney's new Morgan Street Station bridges old and new Fulton Market

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While major Chicago institutions like the South Water market have relocated several times over Chicago's history, and others, like the Union Stockyards, have completely vanished, the Fulton Market district, the clearinghouse for meat, fish and dairy characterized nearly a century ago as "a sight to gladden to anyone interested in the trade . . . thoroughly modern in every sense of the word", has endured in its original location, even as it becomes marbled with gentrification.

Loft rehabs are common.  Smart boutiques . . .
 mingle with meatpackers . . .
Art Galleries . . .
amidst butter-and-egg firms . . .
There's the new home of the Showmen's League of America . . .
and this Archer-Daniels-Midland complex, reported to be Chicago's last active grain elevator . . .
The area is still defined by the soaring, massive hulk of the Fulton Cold Storage building  . . .
. . . designed by Gardner & Lindberg and built in the 1920's at a cost of $4,000,000 - 5,000,000 cubic feet "for the proper keeping of butter, eggs and other perishable produce."  It survives today as "The only 100% owner operated warehouse in Chicago," and, as pictured on website photographs, a magnet for beautiful women hanging off its highest ramparts.

Now, however, the Fulton Market is getting a new visual marker, one that will end the district's long isolation from public transit.  Morgan Street was one of the original stations on the 1893 Lake Street Elevated line, but it survived only until 1948, when it was among 10 stations closed in an efficiency drive by the recently formed CTA.  Since the rebuilding of what is now called the Green Line in the early 1990's, there has been no L stop between Clinton and Ashland, part of a short-sighted rapid transit redlining of the inner city that also saw the demolition of all Green Line stations from Roosevelt to 35th, a nearly three mile stretch.  (Efforts are now underway to also reconstruct the station at Cermak, serving McCormick Place.)
The design of the new Morgan Street station comes from Ross Barney Architects, which recently completed an award-winning, $100 million rehab of the CTA's Red, Brown and Purple transfer stops at Belmont and Fullerton.  $30 million in TIF funding is going towards Morgan Street's estimated price tag of $38,000,000, about what it cost to complete the entire Dan Ryan extension back in the 1960's.
The design offers a station house on either side of Lake, leading up to staggered platforms that reduce the strain on the trestle structure . . .
 . . . and translucent polycarbonate canopies that provide both shelter and daylight.*
Trees, landscaping and bicycle racks are planned for street level.
Dominating the composition, however, are the pair of tall, wide and thin stair towers, like a pair of giant bookends, that rise first from the street to the platforms, and then above the platforms to a bridge crossing the tracks.
While the entire design stresses a sense of openness, eventually the stair towers will have a perforated metal screen.
Today, without that screen, the wide-open, white-painted metal frame gives an almost vertiginous sense of the high-height wafers poking into the sky.
We'll be waiting to see how it all turns out, but there's no doubt but that Ross Barney's design for the Morgan Street station creates a strikingly distinctive emblem for a classic neighborhood that - so far, at least - hasn't sacrificed its historic character as it gains a new kind of vitality.


*Direct daylight not available during night-time hours.

Monday, January 02, 2012

Classicist/Modernist Smackdown, Luis Urculo, Margaret McCurry: Distillations, Future City 2012, The L, Henry Ives Cobb's Chicago, Tugendhat, Bloomingdale, Hedrich-Blessing - it's the January 2012 Calendar!

It's Classicist vs. Modernist smackdown night January 19th,  as Iveta Cerná, Head of Villa Tugendhat at CAF faces off at 6:00 p.m. against Tom Beeby, of the Harold L Washington Library, at the Richard H. Driehaus Museum, a/k/a Nickerson Mansion.

But that's just two of the highlights of the January 2012 Calendar of Chicago Architectural Events.

On Wednesday, January 25th, Madrid architect Luis Urculo lectures at the Graham, while at the Poliform showroom, Margaret McCurry signs copies of Distillations, the new monograph on her work. On Friday, the 27th, architect Will Bruder lectures at Crown Hall, IIT


There seems to be a new tradition of holiday parties after the holidays, which includes Architecture for Humanity Chicago Chapter's Holiday Hangover which couples the Black Cloud Gallery with Friday the 13th, while APT and others host a Chicago Preservation Holiday Party 2012 on the 11th.

Saturday the 21st is the 2012 Future City Chicago Regional Finals at UIC, where 6th, 7th and 8th trades from area schools  compete with their own visions.

More authors: Greg Borzo discusses the The Chicago L for Friends of Downtown at the Cultural Center this Thursday, the 5th,  Barbara Geiger talks about Low-Key Genius: The life and Work of Landscape-Gardener O.C. Simonds, and Edward W. Wolner discusses Henry Ives Cobb's Chicago for Landmarks Illinois at the Cultural Center on the 19th.

More?  This Thursday marks still another month when the Commission on Chicago Landmarks completely ignores the battle to save Bertrand Goldberg's Prentice Hospital, SEAOI has a dinner program on Geotechnical Lessons Learned on Tuesday the 10th, while Tuesday, the 17th, AIA  Chicago offers a tour of the ACE Technical Charter High School serving students with an interest in architecture, construction and engineering, and the Chicago Chapter of the Society of Architectural Historians have a tour of the legendary photographers Hedrich Blessing.

Other CAF lunchtime lectures feature The Bloomingdale Trail on the 18th, and Zurich Esposito, Julie Liska, Pat Saldana Natke and others on the Small Firm/Small Project Awards on the 25th.

I'm sure we'll be adding more events, especially since the Chicago Plan and Community Development Commissions and the Center for Green Technology haven't released their 2012 schedules yet, but we've already got over 30 great items.  Check out the entire January 2012 Calendar of Chicago Architectural Events.


Saturday, December 31, 2011

Ricardo Legorreta, who brought back the sun to the U of C's Gothic gray, dies at 80

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A brief obituary here.  A sampling of his work here.  My photoessay on the Max Palevsky Residential Commons at the University of Chicago here.

Wednesday, December 28, 2011

INOMA Holiday Party/Benefit on Thursday

Never too late to add to the December Calendar of Chicago Architectural Events.  The Illinois Chapter of the National Organization of Minority Architects is having its annual holiday party, tomorrow, December 29th, from 6:00 to 10:00 p.m. at the Roosevelt Square Sales Center, 1200 West Roosevelt.  $10.00 of every ticket goes towards their scholarship fund.  More information here.

Monday, December 26, 2011

Garrett Popcorn: Harmless Addiction or Quest for Global Domination?

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You laugh.  Okay, so answer me this:  Did you know there are as many Garrett Popcorn shops in Singapore as there are in Chicago?  Or that there are two outlets in KL, where the Petronas Towers overtook the Sears Tower as world's tallest building?  And that now there's two outlets in Dubai, where, in turn, the Burj Khalifa supplanted Petronas as world's tallest?  Do you see a pattern emerging?

Did you know there's major trafficking of Garrett popcorn from Dubai into Kuwait?  Can another outlet territory - and a new tall building champion - be far behind?  Did you know the word "Garrett" has been banned from the Internet in the People's Republic of China, with all searches redirected to the web site of Xiào's House of Tasty Kernels, West Nanjing Road?

It's just popcorn, you say.  Yeah, right.  That's why at every Garrett Popcorn Shop, including its newest outlet on West Jackson in Chicago, pictured above, the smell of CaramelCrisp® lures shoppers, lawyers, judges, FBI moles and unindicted co-conspirators into a common thread of humanity that, no matter the weather, queues down the street to infinity, much like the line of appliance installers in the Monty Python new gas cooker sketch.


Dancing with Filamentosa: Tristan d'Estree Sterk AIA Chicago's Dubin Young Architect for 2011

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When, at the turn of the 20th century, Louis Sullivan talked about an "organic" architecture, it was largely a poetic conceit.
 Despite their rich ornament, their greenest feature was probably the  windows that opened and closed, which, like the central atriums of the large "donut" office buildings of the same time, allowed for natural lighting and ventilation.

As modern architecture involved at mid-century, even that feature was thrown in the trash bin, replaced by sealed glass boxes with huge floorplates and glazed facades that leaked heat in the winter and sucked up solar gain in the summer, all compensated for by pumping in btu-guzzling air conditioning and forced air in that lost era of "cheap" energy.

Now, energy is anything but cheap, and architects strive towards "zero energy" structures that produce as much as energy as they use.  Are we on the verge of a truly "organic" architecture, where buildings respond to their dynamic environments the same way trees and plants do?

On December 9th, the Chicago chapter of the American Institute of Architects awarded its 2011 Dubin Family Young Architect Award to Tristan d’Estree Sterk, founder of ORAMBRA, The Office for Robotic Architectural Media and The Bureau for Responsive Architecture.


Sterk's investigations address how such a "Responsive Architecture" could reduce energy consumption in all regions of the U.S. by more than 30%.  At a forum sponsored by The Economist, posted to YouTube, Sterk said such an architecture . . .
. . . requires systems that change color, change the color of skins, change the degree of insulation and also change shape.  . . . Color can provide smaller savings, in the order of 2%, permeability or openings and closings can provide around 8%, and shape change of buildings can provide in the order of 25 to 30% . . . shape change builds upon [Buckminster] Fuller's understanding of tensegrity to produce a new structure called an actuated tensegrity structure . . .soft shells that can change color, that can gently change shape, that have an optimized thermal mass, but they're very lightweight.  And all of this is achievable if we take a different view of what architecture might be . . . We're no longer thinking of buildings as static creations that are built of "dumb" material.  These are systems that rely on control, and sensor input, and actuators
Sterk's projects includes a Prairie House: House for A Fashion Pattern Maker and Fiber Artist that was the winner of a 2011 AIA Chicago Design Excellence Award.   And while sculptor Kenneth Snelson, whose pioneering work on tensegrity structures inspired Buckminster Fuller, denied that such structures could scale up to massive size, Sterk created the concept of Filamentosa - ultralight, tensegrity skyscrapers, which ORAMBRA has imaged rising amidst the classic Chicago skyline.

At the end of the YouTube presentation, Sterk shows a video demonstrating the structure's flexibility.  Assuring his audience that the towers wouldn't actually move as radically as in the video, Sterk still added, "If you wanted to dance with a building, this might be one of those buildings."

Friday, December 23, 2011

Christmas 2011 in a Square Mile of Chicago


with the worst audio track on YouTube!
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Tuesday, December 20, 2011